Martin wants her solo show to give all a chuckle

An­drea Mar­tin


“You should real­ize you are per­fect just the way you are. So just keep work­ing any time and any place you can find work, and don’t listen to oth­er people who are try­ing to change or sup­press you, be­cause you can make your own ca­reer.”

So said mul­tiaward-win­ning comedi­enne/act­ress An­drea Mar­tin, who will share an even­ing of com­edy and song in her new one-wo­man show set for the DuPont Theat­er in Wilm­ing­ton from May 15-20.

Mar­tin’s show, Fi­nal Days! Everything Must Go!, is a kind of tag-sale com­edy and mu­sic­al ex­tra­vag­anza where everything is up for grabs, and in­cludes fa­vor­ite Broad­way tunes as well as mem­or­able Second­CityTV char­ac­ters. Mar­tin said she will open the book on her life, ca­reer and fam­ous Hol­ly­wood friends through song, story, and a bit of Greek dan­cing.

Born in Port­land, Maine, the old­est of three chil­dren, Mar­tin said she was prob­ably born to per­form. It all began when she was just 9 and joined the Port­land Chil­dren’s Theat­er.

“I al­ways en­joyed play­ing lar­ger-than-life char­ac­ters and al­ways had a huge ima­gin­a­tion. But I didn’t real­ize then that I could build a ca­reer on that,” said the 65-year-old act­ress.

But she did. Soon after gradu­at­ing from Emer­son Col­lege as a theat­er ma­jor, Mar­tin won a role in the tour­ing com­pany of You’re A Good Man, Charlie Brown.

“I think I just happened to be in the right place at the right time,“ Mar­tin said. “They were look­ing for a short act­ress who could play Lucy, the bossy little girl in the show. I guess I just fit the bill. That show got me my Equity card,” she ad­ded, re­fer­ring to mem­ber­ship in the Act­ors’ Equity As­so­ci­ation, “so after that I was off to the races.”

Mar­tin even­tu­ally re­lo­cated from New York City to Toronto, Canada, where she im­me­di­ately found steady theat­er work. She also was cast in sev­er­al films.

But soon she joined then-un­knowns John Candy, Dave Thomas, Eu­gene Levy, Cath­er­ine O’Hara and oth­ers on the Ca­na­dian sketch-com­edy tele­vi­sion series SCTV. One of Mar­tin’s most mem­or­able char­ac­ters on the show was leo­pard-print-wear­ing sta­tion man­ager Edith Prickley (still one of her fa­vor­ites, along with Aunt Voula from My Big Fat Greek Wed­ding), whose deal­ings with the staff, in­clud­ing pres­id­ent/own­er Guy Caballero, clue­less news­caster Earl Camem­bert and washed-up act­or Johnny LaRue, helped to provide much of the show’s hu­mor.

Some of her oth­er mem­or­able char­ac­ters in­cluded repressed sex­olo­gist Dr. Cheryl Kin­sey, tone-deaf chil­dren’s en­ter­tain­er Mrs. Falbo, Tex­an curio pitch­wo­man Edna Boil, and im­possibly tight-jeaned Mel­ba, the Disco Queen.

“Those were great days,” Mar­tin ad­mit­ted, “and they led to so many oth­er op­por­tun­it­ies for me.”

For ex­ample, Mar­tin was able to make her Broad­way de­but in the mu­sic­al My Fa­vor­ite Year, for which she won the Tony Award, Theatre World Award, and Drama Desk Award for Best Fea­tured Act­ress in a Mu­sic­al.

And there were more hit shows, in­clud­ing Can­dide and Ok­lahoma! — both of which brought her Tony nom­in­a­tions — and Fid­dler On the Roof. She also ap­peared as Frau Blucher in the Broad­way premiere of Young Franken­stein.

 “I love do­ing com­edy, but I also love some of the more ser­i­ous roles I’ve had,” Mar­tin ex­plained. “Com­edy is really hard be­cause you’re al­ways stand­ing there listen­ing for the re­sponse, but still I love it.

“I’ve also en­joyed ex­pand­ing my ho­ri­zons, like play­ing in Exit the King on Broad­way. It was a play that forced me to delve very deeply to for­mu­late who my char­ac­ter was,” she ad­ded.

Next, Mar­tin said, she’d like to do an­oth­er TV series, and play juicy parts in films where she could make out with guys like Johnny Depp.

“Who knows?” she said. “Maybe soon it’ll all come to pass!” ••

For times and tick­et in­form­a­tion, call 302-656-4401.

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